Rameshwaram with Ma and Papa

Rameshwaram with Ma and Papa

Jul 28 – Aug 1, 2026 · Tamil Nadu, India · Shiv, Ma, Papa
Life
Northbound
Southbound

Everywhere we went

Hyderabad
Charminar, Hyderabad
Trichy
1Courtyard by Marriott, Trichy
2Srirangam
6Rockfort — Ucchi Pillayar Temple (Malaikottai)
7Jambukeswarar Temple, Thiruvanaikaval
Thanjavur
3Brihadeeswara Temple, Thanjavur
4Thanjavur Maratha Palace
5Mariamman Kovil, Punnainallur
Madurai
8Meenakshi Amman Temple, Madurai
9Koodal Azhagar Temple
Solaimalai Murugan Temple
10Pothy's
11Ranee Sarees – Lakshan Textiles, Mahal
12Murugan Idli Shop
13Courtyard by Marriott, Madurai
Paramakudi
14Sri Kanchi Kamachi Silk House, Paramakudi
Rameshwaram
15Pamban Bridge
16Sri Panchmukhi Hanuman Mandir & Floating Stones
17Ramanathaswamy Temple and the 22 wells
18Hotel Harriet, Rameshwaram
Devipattinam
19Devipattinam Navagraha Temple

Charminar, Hyderabad · Jul 28, 2026

Went into the city on a four-and-a-half hour layover.

Why it was built

Muhammad Quli Qutb Shah raised it in 1591, at the centre of the new city he was laying out. The story usually told is that he had prayed for the end of a plague and built this where the prayer was answered — four arches facing four roads, a mosque on the top floor that most visitors never reach.

Courtyard by Marriott, Trichy · Jul 28 – 30, 2026

Two nights.

Breakfast at the Courtyard by Marriott, Trichy — Ma and Papa in matching yellow, laughing at something just out of frame. The calm after days of temples and travel.
Breakfast at the Courtyard by Marriott, Trichy — Ma and Papa in matching yellow, laughing at something just out of frame. The calm after days of temples and travel.

Srirangam, Trichy · Jul 29, 2026

The vimana that would not be lifted

The tower over the sanctum is said to have passed from Brahma down the solar line to Rama, who gave it to Vibhishana after the war on the condition that he not set it down before Lanka. Vibhishana stopped on this island for his evening prayers, put it down, and it never moved again.

Ranganatha stayed, but faces south, towards Lanka. The whole story exists to explain why a Vishnu temple points the wrong way.

Two people who were let in

Thiruppaan Azhwar, a poet of low caste, sang from the far bank and never entered. A priest crossing for water threw a stone to move him aside, and back in the sanctum the deity's face was found bleeding. The priest carried the poet in on his shoulders.

Centuries later, when the festival idol was taken to Delhi in the raids, the Sultan's daughter grew attached to it. Devotees recovered the idol; she followed it south and died on the way. She has a shrine here still, and is offered north Indian food and dress.

Ma against one of the carved pillars in the mandapam
Ma against one of the carved pillars in the mandapam
The corridor between the outer walls
The corridor between the outer walls
Gopuram stucco, seen from under the colonnade
Gopuram stucco, seen from under the colonnade
Papa at a side shrine, lamps just lit
Papa at a side shrine, lamps just lit
Under the Hanuman shrine, garlands on the door
Under the Hanuman shrine, garlands on the door
Towers from the shade of the colonnade
Towers from the shade of the colonnade
Ma on the terrace, dupatta in the wind
Ma on the terrace, dupatta in the wind
Ma and Papa in front of the tower
Ma and Papa in front of the tower
Turmeric and flowers at the small shrine
Turmeric and flowers at the small shrine
Inside the hall, under the painted ceiling
Inside the hall, under the painted ceiling
Papa outside the North Tower, coconut in hand
Papa outside the North Tower, coconut in hand

Brihadeeswara Temple, Thanjavur · Jul 29, 2026

Rajaraja's temple

Finished around 1010 under Rajaraja Chola, and still the plainest statement of what that empire could do. The vimana rises about sixty-six metres, and the granite it is built from is not local — it was brought in. The capstone is said to have been hauled up a ramp several kilometres long, and a village along the supposed route still carries a name meaning scaffold hollow.

The walls carry Rajaraja's own inscriptions: endowments, land grants, the names of the dancers and musicians attached to the temple. Very little of that survives anywhere else in such detail.

The shadow that does fall

Guides will tell you the vimana's shadow never touches the ground at noon. It is repeated everywhere and it is not true — the shadow falls, it is simply short and lands close to the base. Worth knowing both the claim and the correction.

Brihadeeswarar through the trees — seen from outside the outer wall, through neem branches and the low fence. Sometimes a temple is most beautiful when you catch it off-guard, framed by something ordinary.
Brihadeeswarar through the trees — seen from outside the outer wall, through neem branches and the low fence. Sometimes a temple is most beautiful when you catch it off-guard, framed by something ordinary.
The crown of a gopuram — a four-faced deity in the topmost niche, flanked by celestial figures, the barrel-vaulted shikhara above them. At this level of detail, it stops being architecture and becomes scripture in stone.
The crown of a gopuram — a four-faced deity in the topmost niche, flanked by celestial figures, the barrel-vaulted shikhara above them. At this level of detail, it stops being architecture and becomes scripture in stone.
The great courtyard of Brihadeeswarar — the Nandi mandapam in the foreground, the 216-foot vimana rising behind it. The scale of this complex, built in 1010 CE, is staggering even before you step inside.
The great courtyard of Brihadeeswarar — the Nandi mandapam in the foreground, the 216-foot vimana rising behind it. The scale of this complex, built in 1010 CE, is staggering even before you step inside.
Ma and Papa in the courtyard of Brihadeeswarar — the great vimana rising behind them. A pilgrimage more than a thousand years in the making, finally made.
Ma and Papa in the courtyard of Brihadeeswarar — the great vimana rising behind them. A pilgrimage more than a thousand years in the making, finally made.
The sanctum of Brihadeeswarar — the deity adorned with silk, marigold, and sacred ash, lit by a single lamp in the dark. The kind of sight that stays with you.
The sanctum of Brihadeeswarar — the deity adorned with silk, marigold, and sacred ash, lit by a single lamp in the dark. The kind of sight that stays with you.
A Chola dvarapala — the temple's guardian, carved around 1010 CE. Multi-armed, fierce-eyed, his pose unchanged for a thousand years. You pass him every time you enter.
A Chola dvarapala — the temple's guardian, carved around 1010 CE. Multi-armed, fierce-eyed, his pose unchanged for a thousand years. You pass him every time you enter.
Ma and Papa on the stone steps after darshan — tired in the best way, barefoot on ancient floors, prasad in hand. The temple wears you down and fills you up at the same time.
Ma and Papa on the stone steps after darshan — tired in the best way, barefoot on ancient floors, prasad in hand. The temple wears you down and fills you up at the same time.
The Keralantakan gopuram — the outer gateway of Brihadeeswarar, built in a later era. Every tier is packed with carvings: gods, guardians, celestial dancers, and creatures that defy easy naming.
The Keralantakan gopuram — the outer gateway of Brihadeeswarar, built in a later era. Every tier is packed with carvings: gods, guardians, celestial dancers, and creatures that defy easy naming.
The upper tiers of the vimana, close up — each setback a world of its own, carvings at every level, and pigeons nesting in every crevice. Uninvited tenants of a thousand years.
The upper tiers of the vimana, close up — each setback a world of its own, carvings at every level, and pigeons nesting in every crevice. Uninvited tenants of a thousand years.
The vimana, full height, from directly below — 216 feet of granite, 13 tiers, no mortar. Commissioned by Raja Raja Chola I in 1010 CE. Still standing. Still humbling.
The vimana, full height, from directly below — 216 feet of granite, 13 tiers, no mortar. Commissioned by Raja Raja Chola I in 1010 CE. Still standing. Still humbling.
The vimana from across the courtyard — the full height visible, the mandapas and corridors spreading below. Classical Dravidian design: a square base rising to a single towering point.
The vimana from across the courtyard — the full height visible, the mandapas and corridors spreading below. Classical Dravidian design: a square base rising to a single towering point.
Two gopurams framed together at dusk — the inner gateways stepping you toward the sanctum. Each one a world of its own, carved with scenes that take more than one visit to read.
Two gopurams framed together at dusk — the inner gateways stepping you toward the sanctum. Each one a world of its own, carved with scenes that take more than one visit to read.
Ma and Papa at the Keralantakan gopuram — the great gateway rising behind them. Barefoot on the hot stone, the carved tower filling the sky above.
Ma and Papa at the Keralantakan gopuram — the great gateway rising behind them. Barefoot on the hot stone, the carved tower filling the sky above.
Close-up of a kirtimukha at the center of a gopuram arch — the face of glory, surrounded by scrolling vines and miniature deities. You could study this for an hour.
Close-up of a kirtimukha at the center of a gopuram arch — the face of glory, surrounded by scrolling vines and miniature deities. You could study this for an hour.
The Keralantakan gopuram, front-on — the full tower visible with the arch at the base. The arch is a later addition; the original Chola entrance was different. History layered on history.
The Keralantakan gopuram, front-on — the full tower visible with the arch at the base. The arch is a later addition; the original Chola entrance was different. History layered on history.
A gopuram through the palms — Tamil Nadu's golden hour turns everything ochre. The sandstone seems to glow from within at this light.
A gopuram through the palms — Tamil Nadu's golden hour turns everything ochre. The sandstone seems to glow from within at this light.
Carvings on a gopuram corner — deities, celestial figures, and intricate stonework that has survived a thousand monsoons. The detail is staggering up close.
Carvings on a gopuram corner — deities, celestial figures, and intricate stonework that has survived a thousand monsoons. The detail is staggering up close.

Thanjavur Maratha Palace · Jul 29, 2026

Serfoji's library

The palace passed from the Nayaks to the Maratha Bhonsles in the seventeenth century, and its most interesting resident was Serfoji II — a king educated partly by a Danish missionary, who read in several languages and collected obsessively.

The Saraswathi Mahal Library he left behind holds tens of thousands of manuscripts on palm leaf and paper, including medical notes recording his own attempts at treating patients. It is one of the oldest libraries still standing in Asia.

Did you know this 7-story tower used to house a mechanical bell that announced the time across the city? A beautiful blend of Nayak and Maratha engineering!
Did you know this 7-story tower used to house a mechanical bell that announced the time across the city? A beautiful blend of Nayak and Maratha engineering!

Mariamman Kovil, Punnainallur, Thanjavur · Jul 29, 2026

Found in an anthill

The Maratha king Venkoji is said to have dreamt of the goddess telling him she was waiting in a punnai grove outside the town. He sent men to look, and she was found in an anthill there. The temple was built on the spot and takes its name from the grove.

Seeking divine blessings at the sacred Punnainallur Mariamman Temple.
Seeking divine blessings at the sacred Punnainallur Mariamman Temple.

Rockfort — Ucchi Pillayar Temple (Malaikottai), Trichy · Jul 29, 2026

The Ganesha temple at the top of the rock.

The cowherd on the rock

This is the other half of the Srirangam story. Ganesha, disguised as a cowherd boy, is the one who persuaded Vibhishana to set the vimana down. When Vibhishana realised the trick he chased the boy, who ran up this rock and revealed himself at the summit. That is Ucchi Pillayar, the Ganesha at the top.

The rock itself is among the oldest exposed formations anywhere, far older than anything built on it.

Shiva who became the mother

Partway up is Thayumanaswamy. A woman in labour waited for her mother, who could not cross the flooded Kaveri. Shiva came in the mother's form and stayed until the child was born. The name means the one who became the mother.

The red-and-white stairs of Rockfort — 83 metres of solid granite, painted in the temple's colours, carved right into a 3.8-billion-year-old rock. Every step up feels earned. Shiv on his way to the top.
The red-and-white stairs of Rockfort — 83 metres of solid granite, painted in the temple's colours, carved right into a 3.8-billion-year-old rock. Every step up feels earned. Shiv on his way to the top.
Halfway up Rockfort at dusk, the city of Trichy spread out below, the golden dome of Ucchi Pillayar glowing at the summit above. The climb is steep but the view resets something in you.
Halfway up Rockfort at dusk, the city of Trichy spread out below, the golden dome of Ucchi Pillayar glowing at the summit above. The climb is steep but the view resets something in you.
Coming down from Ucchi Pillayar after darshan — prasad (doob grass and flowers) still in hand, the city lit up far below. There's a particular kind of tiredness that only a steep temple climb gives you. The good kind.
Coming down from Ucchi Pillayar after darshan — prasad (doob grass and flowers) still in hand, the city lit up far below. There's a particular kind of tiredness that only a steep temple climb gives you. The good kind.

Jambukeswarar Temple, Thiruvanaikaval, Trichy · Jul 30, 2026

The spider and the elephant

Both of them worshipped the lingam beneath the white jamun tree. The elephant carried Kaveri water in its trunk and bathed it every morning; the spider spun a canopy overhead to keep off the sun and the falling leaves. Neither could recognise the other's devotion — the water tore the web apart, the web offended the elephant. It ended badly for both of them.

Shiva liberated them anyway. The spider was reborn as Kochengat Chola, the red-eyed king, who is said to have built seventy temples with their sanctums raised too high for an elephant to enter. Thiruvanaikaval means the holy elephant grove.

Parvati's penance

She once made light of Shiva's austerities, and was sent down to the earth to perform her own. She came here, shaped a lingam out of Kaveri water, and worshipped it until he appeared to her.

The temple still enacts it. At the midday puja the priest puts on a sari and performs the rite as Akhilandeswari worshipping Jambukeswarar — the goddess as devotee rather than consort. This is the water temple among the five elements, and there is a spring beneath the sanctum that has never dried.

Ma and Papa in the ancient stone corridors of Jambukeswarar Temple — one of the Pancha Bhuta Stalas, dedicated to the water element. The colonnaded mandapam stretches back toward the gopuram, its carved pillars worn smooth by centuries of devotees.
Ma and Papa in the ancient stone corridors of Jambukeswarar Temple — one of the Pancha Bhuta Stalas, dedicated to the water element. The colonnaded mandapam stretches back toward the gopuram, its carved pillars worn smooth by centuries of devotees.
A selfie under the carved stone ceiling of Jambukeswarar Temple — the gopuram peeks through the columns behind. The three of them, barefoot on ancient stone, the sacred tank somewhere close.
A selfie under the carved stone ceiling of Jambukeswarar Temple — the gopuram peeks through the columns behind. The three of them, barefoot on ancient stone, the sacred tank somewhere close.

Meenakshi Amman Temple, Madurai · Jul 30, 2026

The prophecy

She was born to the Pandya king with three breasts, and it was said the third would disappear the moment she met the one she was to marry. She grew up a warrior and conquered in every direction until she reached Kailash and met Shiva. The third vanished. Their wedding is still the city's largest festival.

The tank that judged poetry

The golden lotus tank is where the Sangam poets are said to have tested their work. A plank floated on the water, and only verse worth keeping would stay on it. Everything else sank.

On the steps inside the temple
On the steps inside the temple
The Ashta Shakthi Mandapam, light coming through
The Ashta Shakthi Mandapam, light coming through
Temple musicians outside at night
Temple musicians outside at night

Koodal Azhagar Temple, Madurai · Jul 30, 2026

Three postures, one tower

Koodal is an old name for Madurai. The Ashtanga Vimana here holds Vishnu three times over — seated, standing and reclining, stacked in the one structure. Most temples give you one form; this gives you the whole argument at once.

Beside the painted shrine doors
Beside the painted shrine doors
The gopuram at dusk
The gopuram at dusk
On the upper gallery, level with the vimana
On the upper gallery, level with the vimana
Up beside the tower sculpture
Up beside the tower sculpture
Sitting before the shrine
Sitting before the shrine
The reclining Vishnu
The reclining Vishnu

Solaimalai Murugan Temple, Madurai · Jul 30, 2026

Avvaiyar and the fruit

The poetess Avvaiyar, old and tired, sat under a naval tree. A cowherd boy asked whether she wanted roasted fruit or unroasted. Amused, she said unroasted. He shook the tree, the fruit fell into the sand, and she blew the dust off before eating.

So you wanted it roasted after all, he said — since she had blown on it as if it were hot. She understood then who she was speaking to.

At the temple entrance
At the temple entrance
In the pillared hall
In the pillared hall
Sharing prasadam against the rock-cut wall
Sharing prasadam against the rock-cut wall
A macaque with a banana leaf
A macaque with a banana leaf
Working through the leaf
Working through the leaf
Two of them on the yali, one with a banana
Two of them on the yali, one with a banana
Ma at a stall outside
Ma at a stall outside
The gopuram from the street
The gopuram from the street

Pothy's, Madurai · Jul 30, 2026

Silk sarees. Opposite Madurai Idli.

Outside Pothys, during the Aadi sale
Outside Pothys, during the Aadi sale
Choosing silks
Choosing silks

Ranee Sarees – Lakshan Textiles, Mahal, Madurai · Jul 30, 2026

Eleven Sungudi sarees, in the historic Mahal area.

Murugan Idli Shop, Madurai · Jul 30, 2026

Jigarthanda.

Courtyard by Marriott, Madurai · Jul 30 – 31, 2026

The car that drove us the whole trip
The car that drove us the whole trip
Breakfast, the two of them
Breakfast, the two of them
Ma at breakfast
Ma at breakfast
Papa and the pastry plate
Papa and the pastry plate
By the pool, under the frangipani
By the pool, under the frangipani
The hotel sent up a cake
The hotel sent up a cake

Sri Kanchi Kamachi Silk House, Paramakudi · Jul 31, 2026

More silk, on the road down to Rameshwaram.

Pamban Bridge, Rameshwaram · Jul 31, 2026

The first sea bridge

Opened in 1914 and the first bridge in India to cross open sea. The central span was built to lift so that ships could pass beneath it, worked by hand.

In 1964 a cyclone destroyed Dhanushkodi at the end of the island and took a passenger train with it. The bridge itself survived, and was carrying traffic again within weeks.

Papa on the Pamban Bridge — India's first sea bridge, stretching 2 km across the Palk Strait to connect Rameswaram island to the mainland. The bascule section that lifts to let ships through is visible behind him, the turquoise sea on either side.
Papa on the Pamban Bridge — India's first sea bridge, stretching 2 km across the Palk Strait to connect Rameswaram island to the mainland. The bascule section that lifts to let ships through is visible behind him, the turquoise sea on either side.
Papa, Shiv, and Ma on the Pamban Bridge — the iconic yellow railing, the open sea, and the railway bridge running parallel in the distance. One of those stops that earns its place on every itinerary.
Papa, Shiv, and Ma on the Pamban Bridge — the iconic yellow railing, the open sea, and the railway bridge running parallel in the distance. One of those stops that earns its place on every itinerary.
Ma at golden hour on the Pamban Bridge — the sea wind in her hair, the bridge receding into the haze behind her, the sky going soft at the edges. Some moments don't need explaining.
Ma at golden hour on the Pamban Bridge — the sea wind in her hair, the bridge receding into the haze behind her, the sky going soft at the edges. Some moments don't need explaining.

Sri Panchmukhi Hanuman Mandir & Floating Stones, Rameshwaram · Jul 31, 2026

Five faces, five lamps

Ahiravana carried Rama and Lakshmana off to the netherworld, where the only way to kill him was to put out five lamps burning in five directions at the same moment. Hanuman took five faces at once — his own, and those of Narasimha, Garuda, Varaha and Hayagriva — and blew them all out together.

The floating stones

The temple keeps stones said to be from the causeway Rama's army built to Lanka, and they sit on water without sinking. Whatever the geology of it, people have been coming to watch them float for a very long time.

Before the towering Panchmukhi Hanuman — the five-faced form of the deity, each face representing a different avatar. This temple in Rameswaram is also home to the legendary floating stones said to have been used to build Ram Setu, the bridge to Lanka.
Before the towering Panchmukhi Hanuman — the five-faced form of the deity, each face representing a different avatar. This temple in Rameswaram is also home to the legendary floating stones said to have been used to build Ram Setu, the bridge to Lanka.

Ramanathaswamy Temple and the 22 wells, Rameshwaram · Jul 31, 2026

Sita's lingam

Rama came here after the war to be free of the sin of killing Ravana, who was a brahmin. Hanuman was sent to Kailash to fetch a lingam and was late; the hour would not wait, so Sita made one out of sand and it was installed.

Hanuman arrived with his afterwards. It stands beside the other, and by Rama's own instruction it is worshipped first.

Twenty-two wells

Pilgrims move through the temple bathing at each of the twenty-two theerthams in turn, a bucket at a time. The water is said to differ from well to well. The corridor they walk is the longest of any temple in the country.

Standing in the world's longest temple corridor — Ramanathaswamy's third prakara runs 197 metres, lined with 1212 granite pillars on each side. The painted ceiling, the symmetry, the light at the far end: it doesn't look real. Shiv in traditional dhoti, arms open to it all.
Standing in the world's longest temple corridor — Ramanathaswamy's third prakara runs 197 metres, lined with 1212 granite pillars on each side. The painted ceiling, the symmetry, the light at the far end: it doesn't look real. Shiv in traditional dhoti, arms open to it all.
Ma and Papa at the West Tower entrance of Ramanathaswamy Temple, late at night — the long corridor glowing behind them, the day's darshan finally done.
Ma and Papa at the West Tower entrance of Ramanathaswamy Temple, late at night — the long corridor glowing behind them, the day's darshan finally done.
Back at the hotel after the 22 theerthams — still in dhoti, lounging beside the fish tank with the look of someone who has had an unusually complete day. There's a particular kind of peace that comes after a full pilgrimage. This is what it looks like.
Back at the hotel after the 22 theerthams — still in dhoti, lounging beside the fish tank with the look of someone who has had an unusually complete day. There's a particular kind of peace that comes after a full pilgrimage. This is what it looks like.

Devipattinam Navagraha Temple · Aug 1, 2026

Nine stones in the sea

Before building the bridge to Lanka, Rama is said to have set up nine stones in the shallow water here and worshipped the nine planets for a safe crossing. They are still standing, and at low tide you walk out to them.

Ma and Papa in the covered walkway of Devipattinam Navagraha Temple — colourful pillars on one side, the Palk Strait on the other. Bright, breezy, and unlike any other temple on this trip.
Ma and Papa in the covered walkway of Devipattinam Navagraha Temple — colourful pillars on one side, the Palk Strait on the other. Bright, breezy, and unlike any other temple on this trip.
Standing at the water's edge at Devipattinam — the Palk Strait stretching to the horizon, the submerged Navagraha stones just below the surface. A priest rests nearby. This is one of the few temples in India where the deities are in the sea, not in a sanctum.
Standing at the water's edge at Devipattinam — the Palk Strait stretching to the horizon, the submerged Navagraha stones just below the surface. A priest rests nearby. This is one of the few temples in India where the deities are in the sea, not in a sanctum.
At the Navagraha kund — the sacred pool where devotees wade among the nine planetary stones. Behind Megha and Shiv, men are already in the water, circling the pillars in prayer. Each stone represents one of the nine planets of Vedic astrology. You go to each, barefoot in the water, and offer what you owe.
At the Navagraha kund — the sacred pool where devotees wade among the nine planetary stones. Behind Megha and Shiv, men are already in the water, circling the pillars in prayer. Each stone represents one of the nine planets of Vedic astrology. You go to each, barefoot in the water, and offer what you owe.
Papa in prayer at the Navagraha kund — hands folded, the sea behind him, the nine submerged planetary stones around him. Quiet and complete.
Papa in prayer at the Navagraha kund — hands folded, the sea behind him, the nine submerged planetary stones around him. Quiet and complete.
Ma and Papa at Kolkata's Netaji Subhas Chandra Bose airport before departure, stopping at the iconic Balaram Mullick & Radharaman Mullick — a sweetshop that has been a Kolkata institution since 1885.
Ma and Papa at Kolkata's Netaji Subhas Chandra Bose airport before departure, stopping at the iconic Balaram Mullick & Radharaman Mullick — a sweetshop that has been a Kolkata institution since 1885.
Airborne — a quick selfie as the journey to Rameshwaram begins, somewhere above the Bay of Bengal.
Airborne — a quick selfie as the journey to Rameshwaram begins, somewhere above the Bay of Bengal.
Ma trying out a Michael Kors bag at the airport shops — a little retail pause on the journey.
Ma trying out a Michael Kors bag at the airport shops — a little retail pause on the journey.
Ma and Papa at Tiruchirappalli airport — in front of a magnificent temple chariot (ther) installation set against a sweeping mural of Tamil Nadu's sacred heritage, a fitting farewell after the pilgrimage through the south.
Ma and Papa at Tiruchirappalli airport — in front of a magnificent temple chariot (ther) installation set against a sweeping mural of Tamil Nadu's sacred heritage, a fitting farewell after the pilgrimage through the south.